Red Dawn seems to have all the ingredients of a surefire Hollywood success. It’s a remake of a successful 1984 film featuring Charlie Sheen and Patrick Swayze about a group of teenagers banding together to save their small U.S. town from a Soviet invasion. The new cast of up and coming stars have already been featured in blockbusters like Thor and Transformers and seem tailor made to appeal to the tween and teen audiences that have fueled recent hits like Twilight and Harry Potter. So why is MGM spending more than a million dollars to digitally edit the finished film and delay its release until November 2012? Because in the new version the invading force is a Chinese army, and in Hollywood today, you do not want to upset the Chinese, who sanction only 20 foreign movie releases per year. (The “digitally re-mastered” enemy moviegoers will see is led by a much less commercially important North Korean force).
It’s another example of a new reality for Hollywood where screens abroad now account for nearly 70% (and growing) of box office revenue, according to the L.A. Times, and studios cater all elements of production to international audiences particularly in emerging markets such as Brazil, Russia, India, and China whose growth has helped studios survive a massive drop in DVD sales. So, how’s Hollywood changing and can Communicators learn from their efforts? Read More »

Anyone ever tried one of those seven day cleansing diets? They usually start when you get back from a decedent vacation, stuff yourself over the holidays, or realize you’ve subsisted for a month on Chicago polishes and deep dish. You’re allowed only concoctions of stuff like lemon juice, vinegar, salt water, and mashed beets and ginger; and the expectation is that after a week, you’re miraculously cleansed, fit, and trim. Of course, any benefits don’t last, and by day eight you’re back in line with the rest of us at Big Al’s Italian Beef.




It’s baseball season in Chicago and hope springs eternal on the North Side. But as the Cubs chase the impossible dream of a World Series, communicators confront their own impossible dream – how do we measure the un-measureable: the value we create from all the stories that didn’t get written about us this year.
